Tag Archives: Cursos teatro dança

Participation in Festivals

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Year – Event – Location – Work Title

2018
Festival of Theater and Circus of the House of Culture – State University of Londrina – Verbar

2017
Festival Internacional de Londrina – FILO 2017
Virada Cultural São Paulo – Artaud, Le Mômo

2016
Mostra de Fomento à Dança – Artaud, Le Mômo

2015
Semanas de Dança – 23a edição – CCSP – cARTAUDgrafia
FACE – FESTIVAL DE ARTES CÊNICAS DE BAURU – SESC Bauru – TRANS
Mostra de Fomento à Dança - Androgyne – Sagração do Fogo
Festival ABCDança Diadema – Androgyne – Sagração do Fogo

2014
1º Congreso Internacional de Artes Revueltas del Arte – UNA – Buenos Aires – TRANS
Festival de Dança de Londrina
Convergência 2014 – Palmas/TO – DAN devir ancestral
Mostra do Fomento – Galeria Olido – Sao Paulo – TRANS
Mostra do Fomento – Centro Cultural Sao Paulo – 50 desenhos para assassinar a magia
Circuito Paulista de Cultura – Androgyne

2012
1º Festival Internacional de Arte – Teatro Nacional/Brasília
Repertórios Coreográficos – SESC Ipiranga/São Paulo.
III Plataforma Estado de Dança – DAN devir ancestral – Teatro Sérgio Cardos/São Paulo.
Festival Vivadança - Salvador/Bahia
Mostra do Fomento – SP

2011
BR 116 – DRIFTLondres
Mostra Corpos Nômades- SP
Bienal Internacional de Dança do Ceará 2010
VI Festival Nacional de Teatro de Vitória
FestiVaia(SP)
Mostra do Fomento(SP)

2009
Feverestival- Campinas
II FUGA – Festival Universitário de Artes Cênicas de Goiás

2008
Circuito Cultural Paulista – São Paulo, Brazil – Frida Kahlo: a stone woman gives birth to the night.
MIA SESC – Brasilia – Feifei e a origem do Amor
Mosaico Teatral – São Paulo, Brazil – Feifei and the Origin of Love

2007
Mostra do Fomento à Dança – São Paulo, Frida Kahlo: a stone woman gives birth to the night
Mostra do Fomento à Dança - São Paulo, Brazil – Feifei and the Origin of Love
Primeras Jornadas Nacionales de Literatura e Historia Cultural – Ushuaia, Argentina – Subtração de Ophelia

2006
Mostra XYZ de Dança - Brasília, Brazil – Subtração de Ophelia
Festival Internacional de Linguagens Eletrônicas – São Paulo, Brazil Cardioconnections

2004
Mostra de Dança Contemporânea – São Paulo, Brazil – Matter State of Potency
Goiânia em Cena – Goiânia, Brazil – Matter State of Potency
Festival Internacional de São José do Rio Preto – Brazil – Os Sertões
Ruhrfestspiele 2004 – Recklinghausen, Germany – Os Sertões
Mostra São Paulo de Teatro – São Paulo, Brazil – Os Sertões
Artaud: Corpo Pensamento – SESC – São Paulo – Artaud – Where God Runs With Eyes of a Blind Woman
Mostra Latinidades – São Paulo, Brazil- Os Sertões – O Homem
Ares e Pensares – São Paulo, Brazil – Webshaman
Chashama Festival – New York – Submerge
Mostra Surrealismo – Rio de Janeiro, Brazil – As Quatro Meninas

2002
Festival Internacional de Teatro do Mercosur – Córdoba, Argentina – !Submerge!
Mostra Taanteatro 10 Anos – Funarte – São Paulo, Brazil- Thus Spoke Zarathustra 4th Part
Rumos do Teatro – Santos, Brazil – !Arará! Bonestories

1999
Mês Teatral – São Paulo, Brazil – White Man and Copper Face
Porto Alegre em Cenas – Porto Alegre, Brazil – White Man and Copper Face

1998
Jornada de Teatro- Maceió, Brazil – MATÉRIA 3ª Forma
Tropic of Capricorn / Dancers from São Paulo – Tokyo, Japan – Matéria 1ª Forma
Temporadas Populares Brasília – Brasilia, DF, Brazil – Artaud – Where God Runs With Eyes of a Blind Woman
Festival Curta Teatro – Sorocaba, Brazil – Variation for Ball, Shiva and Madalena
Conexão Paulista – Rio de Janeiro, Brazil – >!Arará! Bonestories
Mostra Contra Dança – São Paulo, Brazil – !Arará! Bonestories
Festival Nacional de Teatro de Grupos – Santos, Brazil – Tauromaquia
Festival da UFMG de Ouro Preto – Minas Gerais, Brazil -Tauromaquia

1996
FILO 96, Festival Internacional de Londrina – Brazil -Frida Kahlo – a stone woman gives birth to the night
Mostra Artaud 100 Anos – São Paulo, Brazil – Artaud – Where God Runs With Eyes of a Blind Woman

1995
Festival da UFMG de Ouro Preto – Brazil – Subtração de Ophelia
Festival da UFMG de Ouro Preto – Brazil – Ao Pé da Montanha
Mostra de Teatro Monte Azul – São Paulo, Brazil – Variation for Ball, Shiva and Madalena
Mostra 95 Butoh e Teatro Pesquisa – São Paulo, Brazil -CainAbel

1994
IV Festival Vitória-Brasil de Dança Vitória – Brazil – Variação em Branco

1993
Conexão América São Paulo – SP – Variação em Negro

1992
Butoh and Related Arts Festival 92 – Bremen, Germany – Frida Kahlo – a stone woman gives birth to the night
Butoh and Related Arts Festival 92 – Bremen, Germany – Variação em Negro

1991
Festival SESC de Dança – Santos – São Paulo, Brazil
Bienal do Corpo SESC – São Paulo, Brazil – The Laughing Square

Press

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Photo:

Os10+Mais – FOLHA DE S.PAULO - São Paulo – Brazil

“Theater and dance are allied to show how much the philosophy of Nietzsche resists the banality and ingrains the whole body, not only the intellect. Directed by Maura Baiocchi and Wolfgang Pannek, the play stages the discourse and the pathos of ‘Thus Spoke Zarathustra’.”

Jaime Gesisky – XYZ Festival – Brasília - Brazil
“It is a prestidigitation that causes a bewitchment in the observer and moves internal worlds that were at an unthinkable distance. A unique scenic reflection, rare, without comparison that touches the audience in a very particular manner. The language developed by Taanteatro is the result of decades of research dedicated to the performing arts expression. It makes us dream while we are awake.”

Beate Niemeyer – WESER KURIER – Bremen – Germany
“Incomparable, unique and cutting-edge…an incredible stage presence…stories always new, sustained by the genius body language and the energy of the dancers.”

Daniela Spósito – CLARIN – Buenos Aires – Argentina
“The enthusiasm was remarkable in the play by Taanteatro Company. Videos, paintings and live music accompanied  the dance of the protagonists, evoking a transition from an almost animal like existence to a state of self-affirmation and will to power and creative liberty.  At the end of the performance the audience stepped on stage to dance and sing together with the actors.”

La Prensa – Buenos Aires – Argentina
“Taanteatro Company was brilliant!”

El Ciudadano – Rosário – Argentina
“A surprising play…an innovative proposal…a powerful cast.”

Nelson de Sá – FOLHA DE S. PAULO - São Paulo – Brazil
“Baiocchi, the most important Brazilian exponent of butoh dance, exposed in her play much more than this original influence. Apollonian in spite of being Dionysian, extremely rigorous, in the middle of a major, as one (Brazilian) might say,  “asswholiness”. The performance’s visual quality and the gestural refinement are of extreme care. Valter Felipe is the perfect example of this integration. The actor’s movements are so precise and at the same time toned with a kind of abuse, a fascinating snobbery.”

La Voz Del Interior – Córdoba – Argentina
“A pleasurable play of energies. ‘The pain goes, but pleasure wants eternity’.  An almost perfect definition of the Taanteatro experience.”

Celso Araujo – GUIA LOCAL – Brasília - Brazil
“Maura Baiocchi, one of the most impressive figures ever seen on Brazilian stages, dominates all “modules” of an original and contemporary mis-en-scène. She creates a poignant and chilling scene, an imaginary drama of extreme relevance, exploration and aesthetically incredible.”

Alberto Guzik – ESTADO DE S. PAULO - São Paulo – Brazil  Download PDF in Portuguese
“Taanteatro belongs today to an important group of Brazilian artists who investigate the language of performing arts.”

Francisco Wasilewski – PALCO E PLATÉIA – Porto Alegre - Brazil
“As far as Wolfgang Pannek’s acting is concerned, the audience is immediately placed inside the play’s oppressive atmosphere upon entering the theater.  A smart set and precise lighting. It is a great pleasure to see such a homogeneous cast. Those who appreciate great actors had a kind of redemption.”

Nelson de Sá – FOLHA DE S.PAULO - São Paulo – Brazil
“Taanteatro stands out. Their plays are very well done, with intense care for creation and finishing touches. The development of texts and the study of the physical action lead to unique paths.”